Release year 2019. 109 minutes. genre Horror. Brazil, Canada. Tomatometer 8,2 of 10 star. audience Score 98137 Vote

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A24 Hereditary: cluck Midsommar: hoh The Lighthouse: what. Man I want to hang out with him so bad. Looks soo scary. Love this movie 😍. Pattinson: WHAT. What made your last keeper leave? He spilled his beans. Can you not love this man. *What every girl back in ‘08 wanted Robert Pattinson to do to them.

This scene is even better if you watch it while on edibles, like I was when I saw the film in the cinema. 0:48 onwards had me unsure whether Pattinson had gone crazy or whether I was going crazy. Totally boring, with neither story line, nor arch. I was expecting the 'Shutter Island' thriller and couldn't be more dissapointed.

25:37 lol the seagulls. Legend says this film has about 480 'F' words. Easily the best film of 2019. The B&W is mesmerizing and just flat out phenomenal acting by both Pattinson and Dafoe. Summary: TouringEngine is a location-aware mobile application using geofences (GPS based) and low-energy beacons (BlueTooth based) for location triggers. Approaching user-defined destinations composed into a "tour", TouringEngine plays full-quality media content (audio, video and synthesized speech) from programmable URL locations. Tours can have an unlimited number of destinations, user composes a tour via the TouringEngine web application tools at, an easy-to-use map-based composition canvas and management platform. Registering an account on the TouringEngine homepage is free and allows downloading of server-designed tours to mobile devices. Detailed documentation about the application's settings and operation can be accessed on the website via a web browser. In addition to geofence and beacon functionality, TouringEngine also can, concurrently or by itself, act as a location tracking and logging tool. Logging can be started, suspended and restarted as many times as needed and finally be closed. After closure a track file contains latitude, longitude and time stamp information at a programmable sampling resolution. Elevation service can be invoked to assign true elevation data to each destination and to convert the track into a regular tour, which can then be viewed in map just as any of the downloaded geofence tours, annotated with speed, distance and topographical data that can be graphically displayed and shared with others. Optionally, a tracked tour can be uploaded to server database and/or deleted on mobile device. More Detail: A geofence is a circular perimeter of programmable radius around a point of interest which, upon being entered or exited, can trigger user defined actions. On entering a destination perimeter while driving or walking between points of interest, TouringEngine plays audio or video media, reads synthesized speech, or displays an URL in your phone browser. On exiting a geofence, media content optionally plays out or terminates and Google map navigation will automatically take over and guide the user to next destination, according to a preset sequential order of the current tour's destinations. On entering next destination's perimeter, TouringEngine takes over and plays media content as programmed for this destination. Geofence tours are ideal for larger targets, perimeters of 10 m and upwards, lending themselves for example as "electronic" tourism or real-estate "tour guides" playing instructional material whenever one of the tour targets is being approached within its perimeter. Bluetooth beacons allow alerting an application on a device equipped with an appropriate receiver to receive notifications when in close proximity of such a beacon. Each beacon is tagged with a unique ID and permits the application to display user materials of interest about the triggering beacon's represented product or location. Beacon tours lend themselves for use with high-resolution spatial targets (a few meters), for example as a museum audio-visual tour guide where you'd hear an audio explanation or see an instructional video while standing in front of a piece of art, or as a commercial promotion tool where an electronic coupon could be flashed saying "Corn Flakes on sale" when passing in front of a store shelf equipped with a beacon in the cereal aisle. Once a mobile device is logged into a user's personal server account, local sample tours can be generated and downloaded on demand from mobile device, while personal tours are composed on the website within its map canvas and browser. Use of a mouse and a better user interface simplify accurate destination marker placement, movement or deletion through clicks/drags on map, provides for easy tour destination sequence ordering and destination media play annotation. All tour destinations end up being tagged with address, latitude, longitude, altitude, perimeter radius and the URL of the media to play on entering its perimeter.

“Please. Give me another shot.” You know what Adam Sandler, I think I will

At least he fondled those Sea Titties. 0:16 tall tales That's his Batman voice. I loved this movie just watched it, makes me want to go dance in the forest and do some chants 💃. While watching A24's films im disgusted and scared the whole time but like the day later i realize how beautiful they are and then theyre my favorite movies. Think the thing I hate most about Adam Sandler is how good he is we he actually gives af. One of the best actors of this generation.

Adam Sandler is PHENOMENAL in this movie.

0:49 love him or hate him winslow is spitting straight fax

Goats now scare me 😂😂. I rarely go to the movies. I vastly prefer watching a film at home. It takes a lot to get me to go see something in the theater, but I made one of my infrequent trips to the local theater to see Robert Eggers' newest film, The Lighthouse. Ever since its premiere at the Cannes Film Festival, this film has been wowing critics all over the world, getting critical acclaim from everyone who saw it. The concept sounded interesting, and I enjoyed the trailer, so I decided to check it out as soon as possible.
The first thing many people are mentioning, and the thing that immediately hits you when the film begins, is the aspect ratio it was filmed in. The movie is shot in a boxy format, tossing aside the usual widescreen format in favor of a much more compact frame. This offers an immediate feeling of claustrophobia and gave me hope that I was in for an exciting movie experience.
Unfortunately, the atmosphere caused by the aspect ratio and the choice to shoot in black and white over color is where my praise for this movie begins and ends. I am not going to sugar coat it or go in half-way with backwards insults. To put it bluntly: I hated this movie. HATED. I hated everything about it. I hated what passed for a story. I hated the acting. I hated the actual shot composition in every way that wasn't involving the aspect ratio. I hated the damn foghorn that went off seemingly every 30 seconds for the entirety of the film's duration.
When I read the buzz on this movie, all I heard about was the amazing acting, the incredible cinematography, and the excellent story. Critics and audiences alike were falling over themselves as they heaped praise on this film, calling it a masterpiece. This leads me to think one of two things has happened here: Either A- I am too stupid to understand what I saw, or B-nobody understood this movie, and didn't want to admit it, so they figured if they found it overly confusing, it must be brilliant.
This movie is supposed to be a psychological thriller, following two isolated men's decent into madness, but it actually plays more like a parody of independent film. This movie is one long cliché from start to finish.
Black and white? Check
Big movie star in a small movie trying to get taken seriously as more than a tween heart throb? Check.
Older character actor in a prominent role? Check.
Dream sequences interspersed in such a way that you can't tell what is real and what is fantasy? Check
Atmospheric background "music" with zero melody? Check
Open ended, pretentious non-finale that answers zero questions and can be interpreted any number of ways by an audience too embarrassed to admit nothing they saw made any sense? Check and double check!
I would give a spoiler warning, but even though I sat through this movie, I still have no clue what happened. There was a lot of yelling. Foghorns. A lot of screaming. Foghorns. Rain. Foghorns. Fighting. Foghorns. Dream sequences. Rain. Foghorns. More fighting. More foghorns. More yelling. A fight scene between Robert Pattenson and a seagull. Foghorns. Some more fighting. Rain. And for good measure, foghorns. Then a horrible ending.
I have been racking my brain trying to figure out the best way to describe the experience of watching The Lighthouse and I think I have come up with the perfect way to do so. Have you ever had somebody try to describe a dream to you, but the dream made zero sense, and they barely remember it? They are rambling on, backtracking, trying to describe something that they themselves didn't understand, makes zero sense, and they don't actually remember? That painful conversation usually lasts about three minutes. Now have that conversation for an hour and forty five minutes, while a foghorn blasts in your ear over and over. That is what watching The Lighthouse is like.
There are two people credited with the screenplay for this movie, but I refuse to believe an actual script exists. I have put more thought into this movie review than the screenwriters did the actual movie. It is good that the movie is so dark and everything is hard to make out, because both Willem Dafoe and Robert Pattinson do so much over acting, that I am convinced the scenery had actual bite marks in it. Half of the movie is so confusingly shot, I could barely tell the two actors apart. Even the rain looked overly fake. I swear if the camera panned over a few feet to the side, you would see people with buckets and sprinklers at the ready. The only person who went above and beyond in their job performance in the making of this movie was whomever was responsible for sounding the foghorn. That person deserves a special Oscar for stamina.
The characters in this movie spend the majority of the story questioning their sanity, and I have to admit, I know exactly how they feel. I am highly selective in what I go to see, and as a result, I rarely see a movie I don't enjoy to some degree. Yet I absolutely hated every second of this movie. Am I that out of touch with my own tastes? Am I losing my sense of self? I no longer know what is real. Who am I? How could I have been so wrong? Why is a movie I flat out loathed getting such universal acclaim? Is there something I am missing? Have I become incapable of recognizing genius? Or are these critics just covering for the fact that they didn't understand this movie any more than anyone else in my theater did?
As I left, I was thinking to myself how I had just witnessed the worst movie I have ever seen in my entire life. I was in stunned silence at being so wrong in thinking I would like this movie, when I overheard other people talking about the film. I felt a small measure of relief in the fact that every single one of them was talking about how terrible the movie was. I didn't hear one positive thing being said by the other movie-goers in my theater. So what did we all miss?
I am left with a feeling of confusion as I try to make sense of what I saw. At first, I thought it was not believable that two men would descend into madness over a period of only a few weeks, yet this movie managed to do it to me in less than two hours, so I guess it is more believable than I initially thought. Still, just because the movie was confusing and made me question my own relationship with myself, it did not do so in the way it intended. The only way I could see Robert Pattinson and Willem Dafoe going so crazy so quickly is if they were able to watch themselves in this movie, like the scene in Spaceballs where Rick Moranis is watching the VHS of the movie to figure out what is going on and gets to the part of the movie he is actually doing at that time.
Needless to say, I can not recommend this movie in any way. I went in excited, and left heartbroken. I thought this movie was going to be everything that I love about film making, but was instead, almost like a dark parody of it instead. This was (and I say this with all sincerity, and what I believe to be full command of my mental faculties) the worst movie I have ever seen.
Foghorn.

Everyone saying “First Adam Sandler dramatic role!” Like you didnt see Meyerowitz Stories and Punch Drunk Love. My favorite performance from him is Shadow of the vampire. Adam Sandler gets shot at the end.

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